Maybe it is the warmish breezes. Maybe it’s the filing of taxes, the ides of April. Suddenly I’m in the mood for jazz–specifically piano jazz.
I must have listened to Keith Jarrett’s Koln Concert about 100 times, so I thought I’d put Jarrett’s Rio in the top spot of the Listening Station in the Library. This CD came out in 2011 and is a complete document of Jarrett’s show at the Theatro Municipal in Rio de Janeiro. I’ve never been to Rio but I certainly get an impression of the place while listening to this evocative and imaginative CD. Beautiful. If you’re wandering by the Listening Station listen to track 5 and try not to think about Rio.
In the middle slot of the Listening Station I’ve chosen Voice by Hiromi. This 34-year-old, Japanese-born musician graduated from the Berklee School of Music and has already released nine CDs. That’s a lot. Per Allmusic.com, “Voice is best described as an electro-acoustic effort that is more post-bop than fusion but has its rock-influenced moments.” Right? Improvisational jazz can be difficult to define, which is part of its allure. Hiromi is praised for her eclectic taste and ability to incorporate different genres into her work. Listen to tracks 3 and 9 and you’ll get the idea.
Filling out the Listening Station we have Eric Reed and his CD Something Beautiful. Mr. Reed is in his early 40s and has been on the jazz scene since he was a teenager. A piano prodigy, he eschewed classical training for jazz. Can you blame him? Sorry Beethoven. He joined Wynton Marsalis’s band, replacing the great Marcus Roberts when he was only 19. He’s been inspired by Brubeck, Lewis, Blakey and a host of other geniuses. The CD is truly Something Beautiful. Tracks 1, 2 and 10 are favorites.
That’s good old Pablo Casals playing the well known Elgar and Dvorak 
Of course we do own some nice anthologies like 
Don’t you love that name! BO-KER-EE-NEE. Luigi (love that name, too) Boccherini lived at the time of Mozart and Haydn though he never achieved the same rock star status. Maybe it was the cello. There’s something inherently nerdy about the cello — until you hear it played and it becomes the most soulful of all instruments. And that’s a fact. 
