Quill

St. Charles Public Library IL - Quill: The Life of a Guide DogQuill: The Life of a Guide Dog is a Japanese film based on the true story of a Labrador retriever pup, so named because of the unusual marking on his flank that resembles a bird.  We first meet and fall in love with him as an adorable puppy, who is chosen as a candidate for guide dog training because of his calm nature and thoughtful demeanor. He spends the first year of his life in a loving foster home, where he is lavished with toys, praise and attention, and given a solid foundation in positive human interaction.  At the end of his first year he is sent to school to learn to be a trusted companion for the blind.  Not all candidates ever fully realize their potential, and many are culled from the program.  Quill, on the other hand, exhibits the kind of temperament that stamps him as an excellent seeing-eye prospect. In order for a guide dog to succeed he must learn to be oblivious to distractions such as food, toys and other dogs.  Quill must learn to navigate busy streets and obstacles such as steps and corners.  He must learn that he not only needs room to accommodate his body width when traversing busy intersections, but  he needs enough room for his human companion as well.  (Interestingly,  all the audible commands are given in English because the dog needs to distinguish the sound cues from Japanese speakers who surround  him on crowded sidewalks.)

Quill shines as a superbly trained seeing-eye companion, and a loveable sidekick, so we’re a bit disappointed when he is paired with the irascible Mr.  Watanabe (Kaoru Kobayashi) who informs us that he “would rather stay at home than be dragged around by a mutt.”  Predictably, he softens over time, and the two become dependent on each other for practical and spiritual purposes. They nourish each others body and soul.

Quill is a drama that has the feel of a documentary, or perhaps a documentary that feels like a drama, so it’s a bit of a hybrid.  Notwithstanding, this is a film that divorces itself from a biased point of view, and simply allows the main character Quill to do what dogs do best and that is to demonstrate unconditional love. How did we humans get so lucky to have these amazing creatures adore us? We can only hope that, like the T-shirt says, “we’re the kind of people that our dogs think we are.”

This film is subtitled “The Life of a Guide Dog,” so we see Quill run the gamut from joyous puppy-hood, to valued service dog, to failing senior, and experience disability, aging and death in the course of a canine lifetime.  Don’t say you weren’t forewarned.  I give it 3 ½ hankies.

 

The First Movies Ever Made

St. Charles Public Library IL - The Horse in MotionWhat was the first movie ever made? There are a number of contenders, though photographic pioneer Eadweard Muybridge’s “The Horse in Motion,” made in 1878, is often designated as the first. It was a series of stereoscopic images of a galloping horse.

Muybridge gave many demonstrations of his primitive motion pictures, and at the Chicago World’s Columbian Exposition, in 1893, he lectured on the “Science of Animal Locomotion” in the Zoopraxographical Hall, built specially for that purpose. He used his zoopraxiscope, which was an early type of movie projector, to show his movies to a paying public, making the Hall the first commercial movie theater.

The earliest film with a narrative was “The Roundhay Garden Scene,” made in 1888 by inventor Louis Le Prince. It’s 2.1 seconds long!

But scientists think that they may have found much older “moving pictures,” in caves in France and Spain. In some of these caves, sequences of animals have been drawn by ancient man, and when torch light flickers over them, the animals seem to move. These cave paintings are 30,000 years old! The claims about these “paleolithic animated pictures” are controversial, but do check out the video to see what you think!

To learn more about Eadweard Muybridge, read River of Shadows: Eadweard Muybridge and the Technological Wild West by Rebecca Solnit.

To see more of the earliest movies ever made, check out More Treasures From the American Film Archives 1894-1931, which showcases a collection of 50 early films.

 

 

 

Jeff, Who Lives at Home

St. Charles Public Library IL - Jeff, Who Lives at Home DVDJeff, Who Lives at Home is a very flawed film. If one looks too closely at the seams, it will unravel in the blink of an eye. It’s also my favorite film of 2012 so far. This might seem like an insult to this year in film, but with new films from Wes Anderson, PIXAR, Joss Whedon and Ridley Scott, it is anything but. The innate problem with Jeff, Who Lives at Home is rooted in everyone’s own beliefs. It’s a film about fate and destiny, and therefore blurs the line between contrivances and plot mechanics. You’ll either think the film is offensively implausible and totally pretentious, or you’ll think it’s surprisingly sweet and that the “contrivances” are the point of the film. Either way, it’s worth a shot.

The film follows Jeff during the course of one day as he tries to run one simple errand but gets needlessly distracted by “signs from the universe.” Jeff is a very kind man, and he believes that everything happens for a reason and that the only way to uncover your destiny is to follow the signs the universe lays out for you. He’s also 30-something years old, living in his mother’s basement and has quite a recreational drug habit. His older brother Pat is the antithesis of Jeff. He is materialistic, self-absorbed and very cynical. However Pat also does have a job, a wife and a home of his own. Needless to say, they don’t get along very well.

This is a film that sneaks up on you. It seems aimless and meandering, but the whole time it is building towards something. Whether you call that fate or coincidence, is up to you. It’s one of the most uplifting films I’ve seen in a long time.  The opening scene is an important one, as it lays out exactly how the film will unfold, but that’s easy to miss on your first viewing. Jeff, Who Lives at Home has a little bit of everything, so I highly recommend it. As long as you check your reservations at the door.

View the theatrical trailer below and find the DVD in our collection!

A Sad Goodbye to Nora Ephron

Many of us were saddened to hear of Nora Ephron’s death. From movies with such unforgettable lines as “I’ll have what she’s having” (When Harry Met Sally) to her best-selling books, Nora Ephron was a funny, insightful writer who will be greatly missed.  Below are some of her many works available in our collection.

St. Charles Public Library IL - I Feel Bad About My Neck By Nora EphronSt. Charles Public Library IL - I Remember Nothing by Nora EphronSt. Charles Public Library IL - Heartburn by Nora Ephron

St. Charles Public Library IL - Sleepless In Seattle by Nora EphronSt. Charles Public Library IL - When Harry Met SallySt. Charles Public Library IL - Julie and Julia by Nora Ephron

St. Charles Public Library IL - You've Got Mail by Nora EphronSt. Charles Public Library IL - Silkwood by Nora EphronSt. Charles Public Library IL - Bewitched by Nora Ephron

St. Charles Public Library IL - Hanging Up by Nora Ephron

W.E.

W.E. is a splendid film that is part biopic and part soap opera.  The tandem story lines revolve around the true drama of Edward VIII of England and his scandalous affair with twice divorced American, Wallis Simpson, and the fictional account of Wally Winthrop (named after Mrs. Simpson) a well-to-do socialite trapped in a loveless and abusive marriage.  The two themes merge as Wally, who is obsessed with all things pertaining to the Duke and Duchess, is drawn to an auction at Sotheby’s where the sumptuous artifacts of the Windsor estate are on display.  She fingers the elegantly monogrammed linens, eyes the sparkling dinnerware and admires the dazzling jewelry. She is so taken with their love story, and consequently with anything that belonged to them, because she desperately seeks to know what it must be like to be loved so passionately. Because she is so lonely and vulnerable it’s no surprise that Wally (Abbie Cornish) opens herself to the flirtations of a Sotheby’s security guard.  We can all guess where that is going.

But the tale of Wally and her paramour (Oscar Isaac) pales in comparison to the compelling romance of Edward and Wallis.  It is said Edward was not only dominated by Wallis, but was possessed by her.  So enthralled was he with Mrs. Simpson that he renounced the throne, and all that went with it,  in favor of “the woman I love.”

W. E. gives us a sweeping view of the privileged lives of Wallis and Edward.  The costumes, the sets, the venues of England in the 1930s, and the attention to detail are so delicious that we’re embraced by a lifestyle that is at once stylish and chic. It’s a world where no hair is ever out of place, and one wouldn’t think of reaching for the inappropriate utensil at a dinner party.  Wallis (Andrea Riseborough)  is luminous in her pale skin and rouged lips, set off by her dark tresses.  But we see her as the French might see her, as a jolie laide*, because it is her charisma, and not her beauty that captures the heart of the would-be king.

History views the affair with a jaundiced eye, since Edward lost everything by abdicating the throne, and making the unpopular choice to marry a foreigner. In a rare turnabout this film raises the question of what Wallis was denied because of her choice to accept his proposal. In a letter, she tells us that she lost her privacy, her reputation and her esteem because she was so reviled once she became the Duchess.

If you were a fan of The King’s Speech, the Weinstein brothers are hoping you’ll also be captivated by W. (Wallis) E. (Edward).  This film has a similar ambiance, a must for historical romance enthusiasts and those who are enamored with the royal family.

Catch a glimpse at the film’s trailer below and see if we have a copy of the film available.

*A woman who is attractive though not conventionally pretty.

Note: This film was co-written and directed by Madonna.

 

Documentaries: Perfect combination of real stories and craftsmanship

I wish I could recall the film that really got me hooked on documentaries.  It might have been American Harmony, which I saw at a film festival in 2009. (It’s an amazingly interesting film about teams that compete in barbershop quartet competitions! I have included the trailer below.) Documentaries may be slower-paced, but I find the fascinating personal histories and the loving craft of the documentary makers (sometimes the “making of” feature is as good as the film itself) to be an irresistible combination. Here are a few that I have really enjoyed over the past year:

St. Charles Public Library - St. Charles, IL - Being Elmo: A Puppeter's JourneyBeing Elmo – A charming look at the man behind the famous Muppet.

Leonard Cohen: Bird on Wire – My introduction to the charismatic poet and singer (and not to be confused with the documentary, Leonard Cohen: I’m Your Man which is still on my “to see” list). This film is based on footage taken while Cohen toured Europe in 1972.

Anvil! The Story of Anvil – I don’t know anyone who has taken me up on my frequent recommendations of this movie, but I stand by it! Sure, it’s about two guys chasing success as a heavy metal band way into middle age, but the heart of the film is their enduring friendship and belief in following your dream.

Louder Than A Bomb – I think this is my “new favorite” documentary! It follows several different high school students/schools from Chicago as they prepare and compete in a poetry slam.  The creativity of these young artists blew me away.

View the official trailer for American Harmony:

I’m always looking for new documentary recommendations so please feel free to share your favorites!

Spiritual Cinema Circle: A Different Kind of Viewing Experience

Tired of the usual run-of-the-mill movies with car chases and action figures and digitally-enhanced special effects?  If so, you might enjoy movies from Spiritual Cinema Circle, which the Library subscribes to. Every month we receive a compilation of four movies, which include one full-length film, as well as “shorts” and documentaries, many of which are by independent filmmakers. Topics explore spirituality, morality, the power of the mind and other enriching themes. Each group of films comes with “reflection questions,” to help you get the most from your viewing. So to find some movies with “heart and soul,” check out Spiritual Cinema Circle. These movies can be found in 204 SPI, along with books on spirituality, and are not with movie DVDs.

 

 

Hanna

HannaThe film Hanna is a typical coming of age story. When it opens in a tundra setting, the protagonist Hanna is doing what all 16 year old girls like to do on the weekend: hunting a wild reindeer. After she has successfully killed her target, a man sneaks up on her and the two engage in a brief but tense fight. It’s apparent that neither are fighting to hurt the other, and it turns out the man is her father, and that this is just another Saturday morning for the two. It is revealed that Hanna and her father have been living on their own, completely disconnected from civilization as we know it and her father has brought her up to be a deadly assassin and a walking encyclopedia. She may not have a driver’s license like most girls want at her age, but she can snap your neck in less than three seconds flat.

Hanna is a breath of fresh air into the stale genre that is suspense thriller. During the very few and surprisingly brief action scenes, the camera rarely cuts away (a cheap trick that way too many action blockbusters are guilty of these days). What’s particularly engaging about this thriller is that director Joe Wright is more interested in the development of Hanna’s character than he is in staging those elaborate action sequences, and it makes for a very rewarding hybrid of traditional coming of age story and international espionage thriller, all filtered through a fairy tale lens. It’s a testament to Joe Wright’s talent that the film comes off as anything but a mess, despite all this mixing and matching.

Saoirse Ronan (I don’t know how to pronounce it either) gives a very nuanced performance in Hanna, as a teenage girl by loyalty to her father and the desire to grow up independently from him. The film is at its best when it follows Hanna’s travels with a lovable family of tourists and explores how far removed she really is from society. Hanna is a grade A anti-thriller that excels when it’s pulling its punches instead of throwing them.

View the theatrical trailer below and find the DVD in our collection!

The Way

It’s impossible to view this film without drawing parallels between Geoffrey Chaucer’s Canterbury Tales and Emilio Estevez’ The Way.  Both unfold as a journey to a holy shrine undertaken by diverse pilgrims who come to reveal themselves to each other, and to themselves, as they are tested by the rigors of the landscape and the physical hardships of the odyssey.

Martin Sheen embraces the role of Tom, who travels to France to collect the remains of his son Dan (played by Emilio Estevez, his son in real life) who has died accidentally during his pilgrimage on the 800KM Camino de Santiago.  Tom is a staid ophthalmologist who has lived a conservative lifestyle, while Dan has sought his interpretation of a more meaningful existence by testing  boundaries and pushing the envelope.  Neither fully accepts or understands the raison d’etre of the other in a classic father/son standoff.

In an effort to assuage his grief and grasp the motivation  behind Dan’s pilgrimage, Tom determines to trace the journey in his son’s footsteps,  leaving some of Dan’s ashes at various way stations along the Camino as a way of honoring his memory and accomplishing for Dan what he is physically unable to complete for himself.

But, this being a pilgrimage, no one’s journey is a solitary one, so Tom is reluctantly thrown into the mix with follow travelers. There is Joost, the jovial Dutchman, who is seeking to regain his wife’s affection, Sarah, a prickly Canadian, who is trying to quit smoking and recover from an abusive marriage, and Jack, a hard-drinking Irishman with writer’s block, whose next big novel will be a thinly disguised rehash of the lives of his fellow pilgrims.  There are as many reasons for making the pilgrimage as there are pilgrims on the Camino de Santiago.

Along the way, we are in turn amused by the interactions among four such diverse seekers, and moved by poignant self-revelations. This is all played out against the scenic backdrop of the breathtaking Pyrennes and the Basque country, mingled with the quaintness of small villages.  Here, affable innkeepers gather the sojourners offering respite and relaxation before the journey begins anew the next day.  Food and drink are plentiful, but accommodations are sparse and crowded, further breaking down the physical and emotional barriers that separate the seekers.

Glimpses of Dan in the faces of his fellow travelers reassure Tom that father and son are moving towards a reconciliation, and that the journey has become as much a spiritual trek as it has been a physical one.  Dan reminds his father, “You don’t choose a life, you live  it.”  We sense that Tom has awakened a capacity for allowing, as much as he has clung to his rigid philosophy of choice.

View the official movie trailer for The Way and our catalog to check-out a copy today.

 

 

 

Facts About Projection

Here’s a fun video called “Facts About Projection,” made several years ago by a 35mm film projectionist in London. He wrote, “This is a short film about my job as a Projectionist. I am quite proud of this film, mostly because I’m so proud of my job–it seems like a fulfillment of my childhood romantic notions of what I wanted to be when I grew up.”

Not that long ago, 35mm film could be played in almost any movie theater in the world. Since 2008, the 35mm film projectors have largely been replaced with digital projectors, and the 35mm format is rapidly becoming obsolete. The basic operation of digital cinema projectors is straightforward and can be performed by a theater’s managerial staff.

In the future, traditional projectionists will only be found in theaters that continue to show print films from archival collections, and so, sadly, they are a dying breed.